Brian Patrick Carroll, better known as Buckethead, is an American musician and songwriter. He has released 28 solo albums and performed on over 50 more. His music spans such diverse areas as progressive metal, thrash metal, funk, electronica, jazz, bluegrass, and avant-garde music.
When performing in his theatrical persona, Buckethead used to wear a KFC bucket on his head, emblazoned with an orange bumper sticker that read "funeral" in capital black block letters, and an expressionless plain white costume mask. More recently, he has switched to a plain white bucket no longer bearing the KFC logo. He also incorporates nunchaku, robot dancing, and toy trading into his stage performances. Buckethead's persona represents a character who was "raised by chickens" and has made it his "mission in life to alert the world to the ongoing chicken holocaust in fast-food joints around the globe."
Although a multi-instrumentalist, Buckethead is best known for his electric guitar playing. He has been voted number 8 on a list in GuitarOne magazine of the "Top 20 Greatest Guitar Shredders of All Time" as well as been included in Guitar World's lists of the "25 all-time weirdest guitarists" also known for being in the "50 fastest guitarists of all time list".
Buckethead performs primarily as a solo artist. He has collaborated extensively with a wide variety of high profile artists such as Bill Laswell, Bootsy Collins, Bernie Worrell, Iggy Pop, Les Claypool, Serj Tankian, Mike Patton, Viggo Mortensen, and was a member of Guns N' Roses from 2000 to 2004. Buckethead has also written and performed music for major motion pictures, including: Saw II, Ghosts of Mars, Beverly Hills Ninja, Mortal Kombat, Mortal Kombat: Annihilation, Last Action Hero, and the soundtrack of Mighty Morphin Power Rangers: The Movie. (from Wikipedia)
GUITARS
* Custom built Gibson Les Paul * Steinberger GS (AKA "Kaiser’s Gift") * Custom built ESP MV * ESP MII * Gibson Chet Atkins * Ibanez X-Series Flying V * Ibanez X Series Rocket Roll II * Takamine Acoustic * Yamaha AES920 * Gibson 1959 Les Paul Custom * Gibson SG * Gibson SST * Gibson 1969 Les Paul Custom * Custom built Jackson Y2KV * Custom built Jackson KV2 * Custom built Jackson Doubleneck * Fender Telecaster * Vigier Excess Indus 4-String Bass * Heartfield Talon model (by Fender) with pink DiMarzio X2Ns * Parker Fly
EFFECTS
* Digitech Whammy II * Digitech Whammy IV * Dunlop Cry Baby 535Q * Alesis MidiVerb II * BOSS NS-2 Noise Suppressor * BOSS RC-20 Loop Station * BOSS OS-2 Overdrive/Distortion * BOSS TU-2 Chromatic Tuner * Electro-Harmonix Micro Synthesizer * Snarling Dogs Mold Spore Wah Pedal * Roger Mayer Octavia * DOD Electronics FX-25B envelope filter * AnalogMan Bicomprossor * MXR EVH Phase 90 * MXR Phase 100 * Line 6 FM4 Filter Effects Pedal
Biohazard - Mata Leao Released: June 25, 1996 (Warner) Genre: Hardcore
Tracklist:
Authority
These Eyes (Have Seen)
Stigmatized
Control
Cleansing
Competition
Modern Democracy
Better Days
Gravity
A Lot to Learn
Waiting to Die
A Way
True Strengths
Thorn
In Vain
Ang pinakaunang biohazard na kopya ko. Parang Rap Metal pero andun ang hardcore na tunog nila. Trip ko dito yung "Authority" saka "These Eyes (haveSeen)".
Jason Becker, (born July 22, 1969) is an American neo-classical metal guitarist and composer. At the age of 16, he became part of the Mike Varney-produced duo Cacophony with his friend Marty Friedman. They released Speed Metal Symphony in 1987 and Go Off! in 1988. Cacophony broke up in 1989 and Becker began doing solo work, having released his first album Perpetual Burn in 1988. He later joined David Lee Roth's band and recorded one album with him. However, Becker's success was hampered by his then-diagnosed amyotrophic lateral sclerosis (Lou Gehrig's Disease) and was given three to five years to live. In 1996, Becker eventually lost the ability to speak and now communicates with his eyes via a system developed by his father. Despite his disability, he continues composing by using a computer.
Jason Becker studied the works of violinist Niccolò Paganini and was a playing partner with Marty Friedman. He later arranged Paganini's 5th Caprice, performing it during an instructional guitar video. Becker's compositions often include high speed scalar and arpeggio passages, both of which are trademarks of his 'shred' style of guitar playing. He demonstrated the arpeggio sequence during a clinic at the Atlanta Institute of Music. A video of this performance first appeared on his Hot Licks guitar instructional video.
Becker started out playing alongside Marty Friedman in the Mike Varney produced-duo, Cacophony. Becker and Friedman toured together with Cacophony in Japan and across the United States. In 1989 Becker left to pursue a solo career, having released his first solo album titled 'Perpetual Burn' in 1988, and has since released 'Perspective' and 'Collection' , as well as two albums of demos, entitled 'The Raspberry Jams' and 'The Blackberry Jams'.
In the early days of Cacophony, Jason used Hurricane Guitars. The first Cacophony album was recorded with a white Hurricane EX Series model [apparently a Limited Edition] with a DiMarzio Steve Morse model humbucker pickup in the bridge position and a maple neck with a rosewood fretboard with 22 frets. For Perpetual Burn he used another Hurricane EX Series model with unknown model DiMarzio pickups, maple neck with maple fretboard and 24 frets. For the 2nd Cacophony album, Jason switched over to Carvin gear, utilizing 2 DC200 models, one in a trans blue finish and maple body, one in a burgundy finish. Both have double cutaway bodies, Kahler locking tremolo systems, 6 in line headstocks and 2 active Carvin humbucker pickups. He used these up until he was diagnosed with ALS in 1989. During the period of 1989-1991, Jason used various guitars, most notably a Peavey custom model with the numbered fretboard markers. There are a few of these around. Also used were an Ibanez unknown model [probably an RG], a custom from Performance Guitars, a couple of unknown Strat style guitars and a black Hurricane EX Series with 3 pickups. As of very recently, Jason has allowed Paradise Guitars USA to release a Jason Becker signature guitar. It is similar in appearance to the numbered Peavey but with a different headstock shape. In his earliest days of playing, Jason used an unknown model acoustic and a black stratocaster type guitar [possibly a MIJ Fender]. Amp wise, Jason used various pieces. In his pre Cacophony days, he used a small Peavey practice amp [possibly a backstage or an audition with the older style Peavey stripes]. For the first Cacophony album, Jason used an ADAMP1 preamp. Perpetual Burn was a 70s Marshall half stack and a BOSS Super Overdrive and Cacophony second album was a Carvin X100B stack. He also used the SX300H head at some point during that era. After Cacophony Jason used various amps, including a "Fender M80", an unknown Marshall amp, an ADA Preamp and possibly the aforementioned Peavey combo.
Ito sana yung 2nd album ng Snot pero unfortunately, namatay yung vox nila sa isang accident. Kaya yun, madaming artists from diffrent bands ang kumanta ng songs nila at ito ang kinalabasan...
1950. Rural Alabama. Cotton harvest. It's a make-or-break weekend for the Honeydripper Lounge and its owner, piano player Tyrone "Pine Top" Purvis. Deep in debt to the liquor man, the chicken man, and the landlord, Tyrone is desperate to lure the young cotton pickers and local Army base recruits into his juke joint, away from Touissant's, the rival joint across the way. After laying off his regular talent, blues singer Bertha Mae, Tyrone announces to his sidekick Maceo that he has hired the famous electric guitar player, Guitar Sam, for a special one night only gig: pack em in and save the club. On the day of the show, the train arrives and Guitar Sam is no where to be found. Tyrone is forced to take drastic action. He makes a deal with Sheriff Pugh to release Sonny, the kid who hopped off a freight car here in Harmony, and turned up in the club claiming he could play the guitar as well as any Guitar Sam. Tyrone cleans Sonny up and launches a last ditch scheme to pass off the young guitar picker as Guitar Sam just long enough to cut the lights and run off with cash box. When Sonny takes the stage and launches into his first scalding electric licks, Tyrone will learn if it's lights out for the Honeydripper or if his luck has changed: he might just be another man saved by rock n' roll. (from IMDb)
Paul Brandon Gilbert (born November 6, 1966 in Illinois, USA) is an American musician. He is well known for his guitar work with Racer X and Mr. Big, as well as many solo albums. He also joined Joe Satriani and John Petrucci on the 2007 G3 tour.
He has been voted number 4 on a list in GuitarOne magazine of the "Top 10 Greatest Guitar Shredders of All Time", as well as a spot in Guitar World's 50 Fastest Guitarists of All Time list.
Talking about his influences, Paul mentions many different artists, including: Randy Rhoads, Eddie Van Halen, Yngwie Malmsteen, Tony Iommi, Alex Lifeson, Jimmy Page, Robin Trower, Judas Priest, Akira Takasaki, Jimi Hendrix, Kiss, Van Halen and The Ramones. Paul has stated many times that he was heavily influenced by his uncle Jimi Kidd who was instrumental in getting Paul interested in playing the guitar. He is also a great fan of The Beach Boys and The Beatles. He states on the Space Ship Live DVD that George Harrison is one of his favorite guitar players. Guitar World magazine declared him one of 50 of the world's fastest guitarists of all time, along with Buckethead, Eddie Van Halen, and Yngwie Malmsteen.
Gilbert composes music in a wide variety of styles including pop, rock, metal, blues, funk and european classical music, but is perhaps best known for his versatility and speed, which helped him be named as one of the "Top 10 Shredders Of All Time" by Guitar One Magazine.
Paul Gilbert primarily uses his Ibanez PGM signature series guitars, identified by their unique painted "f-holes". Although earlier PGM models featured the Ibanez Lo-Pro/Edge double locking tremolo system, many of his guitars (such as his main PGM300) have since been modified to accommodate a fixed bridge, hence the Ibanez PGM301 series. Along with his signature guitars, Gilbert often uses his sticker-covered "Dino" Ibanez RG750, in addition to a wide variety of Ibanez solidbody and semi-hollow electric guitars. Recently, Gilbert has been using Ibanez "Fireman" (a reversed-body Ibanez Iceman with single-coil pickups and an extra cutaway) guitars, which he designed himself.
Regarding amps, Gilbert used ADA preamps and rack effects units early in his career prior to switching to Laney amplifiers. He praised the Laney amps as having "the best natural distortion of any tube amp ever heard".[citation needed] Since the G3 2007 tour however, Gilbert stated that playing with Joe Satriani and John Petrucci inspired him to take a closer look at his own guitar sound. As a result of his search he found the Marshall Vintage Modern series. He currently uses the Marshall Vintage Modern 2266c combo amps. Paul uses Jim Dunlop Tortex picks, of which he prefers the orange (.60mm) picks.
Paul used the following effects as of his tour of Europe in 2008 (he used 12 effects in total):
Homebrew Electronics Bajo Mos
Homebrew Electronics Detox EQ
Tc electronics nova delay
Homebrew Electronics compressor retro
MXR phase 100
BOSS Digital Delay DD-3
Ibanez Airplane Flanger
MXR Blue box
Homebrew Electronics THC chorus
Robert Keeley Nova Wah LE
Electro-Harmonix Deluxe Electric Mistress
Korg Pitchblack tuner
Paul also used a modified vintage ADA Flanger from the 1980s (source: Berlin VIP session interview). You can hear it on tracks like 'Bucket of Rocks', and he also uses it on the 'Snowball of Doom' DVD. Paul stated the flanger had been modified. He uses it to change the pitch from high to low to create a sound similar to a dive bomb. Unfortunately, during Paul's 2008 European tour, his trusty ADA Flanger broke. Thankfully, before the pedal broke, he and Ibanez collaborated to make a similar pedal, with both a regular flanger mode and a mode which can be set to create a close approximation of the ADA pedal's sound, and the pedal has been released as the Ibanez Paul Gilbert AF-2 Airplane Flanger. He also uses the Psilocybe phaser and THC chorus pedals from Home Brew Electronics.
In the intro to "Get Out Of My Yard" Paul uses a Boss DD-3 Delay pedal to achieve the altered pitch looped effect at the beginning of the track. This was also demonstrated by Paul on the instructional DVD of the same name.
In 2009, Ibanez released a new PGM model, the Ibanez PGM401, which is rather different from most of Paul's previous models, with an ash body (most of his previous models were made of basswood, although his PGM800 guitar was made of lightweight ash (a similar but different wood than that used in the PGM401), Trifade Burst finish, Cosmo Black hardware and a regular headstock replacing the reversed one of the previous models. Also, rather than the DiMarzio PAF Pro, Tone Zone and Super Distortion pickups used in his previous models, the PGM401 comes with Paul's favorite humbucker model for the past five years, the DiMarzio Air Classics, arranged in a dual humbucker arrangement. Paul has stated that he had the bridge pickup moved 1 mm closer to the neck, which he said results in a warmer and thicker sound, particularly for the high notes he often uses in soloing. The F-holes are 3% smaller, to make the look more balanced with the pickup mounting rings. But perhaps the biggest difference from other current Ibanez guitar models, is that the PGM401 uses the old late-1980s neckjoint, which is thicker than the current neckjoints on other Ibanez guitars. (from Wikipedia)
Peter Beste has made this book an essential photographic record for fans of the genre and anyone interested or curious about it. Although the inherently extreme nature of black metal symbolism makes for an easy target this collection presents the subject matter through crisp, stunning visuals and an overall volume that's made with class and objectivity, if perhaps some enhancement of the philosophy behind the music with several grand quotes. This book also includes a great timeline of the black metal genre as well as a collection of tabloid-style newspaper and magazine (Kerrang, for one) feature articles regarding the "bad old days" of Norwegian black metal.
If you've listened to black metal for years, are just starting, or are curious about the genre, go ahead and pick this up. (from Amazon)
Ito yung pinakaunang killswitch engage na kopya ko. Tape pa lang ang kopyako nito nuon bale di pa sila gaano kasikatan e pinapakinggan ko na sila. Sa ngayon, mainstream na sila at madami nang nakakaidolo sa kanila. What is killswitch wothout this album? This is their best.
Powerful ang band na ito. Hindi man lang nagbago ang style ng music nila simula nuon pa kahit pa nagpalit palit pa sila ng mga members. Madaming kanta ang trip ko dito pero ang pinakagusto ko sa lahat e yung "Crawl"
Lords of Chaos: The Bloody Rise of the Satanic Metal Underground is a book by Michael Moynihan and Didrik Søderlind. The book presents itself as a non-fiction account of the early Norwegian black metal scene, with a focus on the string of church burnings and murders that occurred in the country around 1993. A film adaptation loosely based on the book and directed by documentary film director Hans Fjellestad is in pre-production. The book has been the subject of an amount of controversy over the alleged political leanings of author Michael Moynihan, though Moynihan denies these allegations. (from Wikipedia)
The title comes from the opening line of an autobiographical song written by Mike Watt of The Minutemen, one of the groups featured in the book. The song, "History Lesson, Pt II" is on Double Nickels on the Dime and details the band's working class origins and populist sentiments: "Punk rock changed our lives."
The book chronicles the careers of several underground rock groups who, while finding little or no mainstream success, were hugely influential in establishing American alternative and indie rock, mostly through nearly constant touring and records released on small, regional record labels.
Azerrad conducted many interviews with the members of the featured bands, and also conducted extensive research of old fanzines, as well as more mainstream newspapers and books.
Eric Johnson (born August 17, 1954) is an American guitarist and recording artist from Austin, Texas. Best known for his success in the instrumental rock format, Johnson regularly incorporates jazz, fusion, New Age, and country and western music into his recordings.
Guitar Player magazine calls Johnson "One of the most respected guitarists on the planet." Johnson composes and plays not just instrumental songs but also vocal pieces, and plays piano as well as guitar.
Widely recognized for his guitar skills, Johnson's stylistic diversity and technical proficiency have drawn praise from Carlos Santana, Eric Clapton, Allan Holdsworth, Larry Carlton, Steve Morse, Billy Gibbons, Johnny Winter, Jeff Baxter, Prince, B. B. King, Rusty Burns, Joe Satriani and the late Stevie Ray Vaughan. His critically-acclaimed, platinum selling 1990 recording Ah Via Musicom produced the single "Cliffs of Dover," for which Johnson won the 1991 Grammy Award for Best Rock Instrumental Performance. Eric was referenced on the Late Show with David Letterman on 30 January 2009 when Bill Hicks' mother said she had once gone to see Eric perform at her son's suggestion. David Letterman had never heard of Eric Johnson.
Eric Johnson is best known for playing stock Fender Stratocaster and Gibson ES-335 electric guitars through a triple amp setup that consists of Fender Amplifiers, Dumble Amplifiers, and Marshall amplification. The Dumble amp has not made an appearance on his live performances for sometime since and including his best known live DVD at the Austin City Limits. Eric uses effects pedals such as a Dallas Arbiter Fuzz Face, BK Butler Tube Driver, TC Electronic Stereo Chorus, Vox Cry Baby wah-wah, Electro-Harmonix Memory Man Delay, an MXR Digital Delay, a Line 6 Echo Pro Studio Modeler, and a Maestro Echoplex tape delay of which all are connected to multiple A/B boxes to create sounds and tones that are both clean and distorted; Although the majority of Eric's setup is predominantly vintage, he has recently started using more modern effects including a stereo chorus made by AnalogMan.
Eric Johnson occasionally substitutes his pedals for others, sometimes being spotted with a TubeWorks Tube Driver rather than a Butler one. He has also been seen using the Xotic AC Booster as well as a Boss DS-1 and a Smoky Signal Tubeless Overdrive.
Eric Johnson was also responsible for putting the Tube Driver pedal created by Brent Butler on the map which is an essential part of his guitar sound.
Johnson has also played other guitar brands such as Robin, Rickenbacker, and Jackson Charvel, which appears on the cover of the Ah Via Musicom album.
He has also been known to use series wired or 'coil tapped' Dimarzio HS-2's in the neck and bridge position of his stratocasters; although this setup is not hum-cancelling, it still cancels around 70% of the AC hum.
In 2001, Eric Johnson added a Custom Shop '59 Les Paul Reissue to his guitars of choice.
C. F. Martin & Company released a limited-edition signature Eric Johnson Signature MC-40 in 2003, built to his specifications. Johnson donated five percent of the profits from his signature Martin guitar to Jefferson Medical College as a tribute to his father who attended.
Fender Musical Instruments Corporation released an Eric Johnson Signature Fender Stratocaster in 2005 also built to his specifications. Johnson has also released other signature gear such as GHS Eric Johnson Nickel Rockers Electric Guitar Strings, DiMarzio DP211 Eric Johnson Signature Custom Pickups, and a Fullton-Webb amplifier. Jim Dunlop also has released an Eric Johnson signature Jazz III plectrum.
Johnson was also featured in a video for Line6 GuitarPort product.
In late 2006, Johnson switched from recording in analog format to digital format.
Fender Musical Instruments Corporation in early 2009 has released the Eric Johnson Signature Stratocaster Rosewood model. This signature Fender Stratocaster guitar features the same specifications as the Eric Johnson Maple Neck Strat, except for the addition of a unusual 3-ply 8-hole white pickguard, hotter treble pickup and a bound rosewood laminate fingerboard with pearloid dot position markers (available in colors such as Dakota Red and other three exclusive colors Tropical Turquoise, Medium Palomino Metallic, and Lucerne Aqua Firemist). (from Wikipedia)
Saffron Burrows, Isaach De Bankole, Paz dela Huerta
The transformation of a woman after she is diagnosed with a terminal illness, fired from her thankless job and abandoned by her boyfriend. Given two months to live, she blows her savings and maxes out her credit cards to pursue her dreams, which include romance and learning to play the electric guitar. (from IMDb)
Eto, kung trip mo ang mga mellow songs ng Pantera, this is the band to listen to. Isa rin ito sa mga supergroup bands na pinangungunahan ni Pantera vox Phil Anselmo. In fairness, maganda rin ang album na ito. Di masasayang oras mo sa kakikinig dito.
Steven "Steve" Siro Vai (born June 6, 1960 in Carle Place, New York) is an Italian American instrumental rock guitarist, songwriter, vocalist, producer, beekeeper, and actor. After starting his professional career as a music transcriptionist for Frank Zappa, Vai would also record and tour in Zappa's backing band starting in 1980. The guitarist began a solo career starting in 1984 and has released 13 solo albums as of 2008. Apart from his work with Frank Zappa, Vai has also recorded and toured with numerous musical artists including Alcatrazz, David Lee Roth and Whitesnake. Vai has been a regular touring member of the G3 Concert Tour which began in 1996. In 1999 Vai started his own record label Favored Nations with the intent to showcase, as Vai describes: "...artists that have attained the highest performance level on their chosen instruments.
Vai is widely recognized as a highly technically advanced rock guitarist and has been described as a virtuoso in the world of guitar music. His 1990 album Passion and Warfare and the ballad For the Love of God in particular received a significant amount of press and are often cited by critics and fans alike as amongst his best work to date.
Vai's playing style has been characterized as quirky and angular, owing to his technical ability with the instrument and deep knowledge of music theory. He often uses exotic guitars; he plays both double and triple neck guitars, and is regarded as the first to use the 7-string guitar in a rock context. Along with Ibanez, he designed a signature 7-string guitar, the Ibanez Universe in 1989, which provided the low-end rumble many guitarists were craving.
Vai is an accomplished studio producer (he owns two: "The Mothership" and "The Harmony Hut") and his own recordings combine his signature guitar prowess with novel compositions and considerable use of studio and recording effects.
Vai also helped design his signature Ibanez JEM series of guitars. They feature a hand grip (fondly referred to as a "monkey grip") cut into the top of the body of the guitar, a humbucker-single coil-humbucker DiMarzio pickup configuration with several different types of pickup including Evolution, Breed and EVO 2. He also uses the Ibanez Edge and Lo-Pro Edge double-locking tremolo systems (the current production JEMs have the newer Edge Pro), as well as an elaborate and extensive "Tree of Life" inlay down the neck. Vai also equips many of his guitars with an Ibanez Backstop, a tremolo stabilizer that has been discontinued. Lately Vai has also equipped some of his guitars with True Temperament fretboards in order for his chords to sound completely in tune. Vai also has a 7-string model designed by him named Ibanez Universe. The Universe later influenced the 7-string guitars used by Korn and other bands to create nu metal sounds in the late 1990s. He also has a signature Ibanez acoustic, the Euphoria. Before Ibanez, he briefly endorsed Jackson guitars, but this relationship only lasted two years.
Steve Vai has also worked with Carvin Guitars and Pro Audio to develop the Carvin Legacy line of guitar amplifiers. Vai wanted to create an affordable amp that was unique, and equal in sound and versatility to any guitar amp he had previously used. Over his long musical career, Steve Vai has used and designed an array of guitars. He even had his DNA put into the swirl paint job on one of his signature JEM guitars, the JEM2KDNA, in the form of his blood. Only 300 of these were made. Nowadays he mainly uses his white "Evo", a JEM7V, and his "Flo", which is a customized Floral Jem 77FP painted white. They are both inscribed with their names in two places, mainly in order to allow him to distinguish between the guitars he uses onstage. "Flo" is equipped with a Fernandes sustainer system.
He also has a guitar named "Mojo" in which the dot inlays are blue LED lights. Additionally, he has a custom-made triple-neck guitar that has the same basic features as his JEM7V guitars. The top neck is a 12-string guitar, the middle is a 6-string, and the bottom is a 6-string fretless guitar with a Fernandes Sustainer pickup. This guitar was featured on the G3 2003 tour on the piece I Know You're Here. Vai's effects pedals include a modified Boss DS-1, Ibanez Tube Screamer, Morley Bad Horsie, Ibanez Jemini Twin Distortion Pedal, TC Electronics G-System, Morley Little Alligator Volume pedal, Digitech Whammy, and an MXR Phase 90/Phase 100 on the Passion and Warfare album. His flight cases are labeled "Mr. Vai", or latterly, "Dr. Vai". He used a number of rack effects units controlled via MIDI, but used a floor-based TC electronics G system instead for the Zappa Plays Zappa tour.
Filmmaker Rodger Grossman’s decade of research led to this gem of movie which looks at the seminal band from the late 70’s LA punk rock scene, the Germs, and their enigmatic lead singer, Darby Crash. Shane West (‘ER’) stars as Darby Crash, and Bijou Phillips and Rick Gonzalez play his bandmates in this retro biography. Incredibly faithful to the history of the group and those times, West embodies Crash both in character and appearance in this hard-hitting feature.
Brian Patrick Carroll, better known as Buckethead, is an American musician and songwriter. He has released 28 solo albums and performed on over 50 more. His music spans such diverse areas as progressive metal, thrash metal, funk, electronica, jazz, bluegrass, and avant-garde music.
Machinehead - Burn My Eyes
Biohazard - Mata Leao
Jason Becker, (born July 22, 1969) is an American neo-classical metal guitarist and composer. At the age of 16, he became part of the Mike Varney-produced duo Cacophony with his friend Marty Friedman. They released Speed Metal Symphony in 1987 and Go Off! in 1988. Cacophony broke up in 1989 and Becker began doing solo work, having released his first album Perpetual Burn in 1988. He later joined David Lee Roth's band and recorded one album with him. However, Becker's success was hampered by his then-diagnosed amyotrophic lateral sclerosis (Lou Gehrig's Disease) and was given three to five years to live. In 1996, Becker eventually lost the ability to speak and now communicates with his eyes via a system developed by his father. Despite his disability, he continues composing by using a computer.
Strait Up
Killswitch Engage - Alive or Just Breathing
Freddy Vs Jason OST
Down - NOLA
Steven "Steve" Siro Vai (born June 6, 1960 in Carle Place, New York) is an Italian American instrumental rock guitarist, songwriter, vocalist, producer, beekeeper, and actor. After starting his professional career as a music transcriptionist for Frank Zappa, Vai would also record and tour in Zappa's backing band starting in 1980. The guitarist began a solo career starting in 1984 and has released 13 solo albums as of 2008. Apart from his work with Frank Zappa, Vai has also recorded and toured with numerous musical artists including Alcatrazz, David Lee Roth and Whitesnake. Vai has been a regular touring member of the G3 Concert Tour which began in 1996. In 1999 Vai started his own record label Favored Nations with the intent to showcase, as Vai describes: "...artists that have attained the highest performance level on their chosen instruments.
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WHAT WE DO IS SECRET
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