Monday, November 9, 2009

ROB ZOMBIE - HELLBILLY DE LUXE

Rob Zombie - Hellbilly De Luxe
Released: August 25, 1998 (Geffen)
Genre: Industrial Metal/Shock Rock/Groove Metal

Track list:
  1. Call of the Zombie
  2. Superbeast
  3. Dragula
  4. Living Dead Girl
  5. Perversion 99
  6. Demonoid Phenomenon
  7. Spookshow Baby
  8. How to Make a Monster
  9. Meet the Creeper
  10. The Ballad of Ressurection Joe and Rosa Whore
  11. What Lurks on Channel X?
  12. The Return of the Phantom Stranger
  13. The Beggining of the End
pagkatapos ng White Zombie, dumating ang solo album ni Rob... Nawala na yung pagka-raw ng kanyang music pero nagdagdag siya ng bagong style... Metal na pang sayaw... hehehe

Rating:10/10



Download:

enjoy!
if you liked it, please BUY the original!

posted by:
zuluwashere

Sunday, November 8, 2009

MOVIES: GARAGE DAYS

GARAGE DAYS
Released: October 3, 2002 (Indie)
Directed by: Alex Proyas
Starring:
Kick Gurry, Maya Strange, Pia Miranda, Russell Dykstra

A coming-of-age comedy about a young Sydney band trying to get a foothold in the competitive world of rock n' roll. After the band's first gig is a colossal failure, the lead singer takes it upon himself to go out and pursue the most successful rock manager in the country. Meanwhile the other members of the band continue to deal with the kind of every day life issues that can ultimately tear a band apart. It may be the dawn of a new millennium but it's still a long way to the top if you want to rock n' roll. (from IMDb)

Download here: (kung wala ka account, gawa ka na lang)

Soundtrack Track List:
  1. High Voltage - The D4
  2. Alright - Supergrass
  3. Kooks - Motor Ace
  4. Buy Me a Pony - Spider Bait
  5. Rockin It - David McCormack and Andrew Lancaster
  6. Garage Days - David McCormack and Andrew Lancaster
  7. Love is the Drug - Roxy Music
  8. Add it up - Sonicanimation
  9. Walk Up - David McCormack and Andrew Lancaster
  10. Ghost Town - Rhombus
  11. Smash It Up - The (International) Noise Conspiracy
  12. Say What - 28 Days
  13. Thats Entertainment - The Jam
  14. Masterplan - David McCormack
  15. Stop Thinking About it - Joey Ramone
  16. Madman - The Hives
  17. Get the Trap - David McCormack and Andrew Lancaster
  18. Lucky Number 9 - The Moldy Peaches
  19. Help Yourself - Tom Jones
Download:

TRAILER:


enjoy!
if you liked it, please BUY the original!

posted by:
zuluwashere

BACK MASKING: REAL or HOAX

Backmasking (also known as backward masking)[1] is a recording technique in which a sound or message is recorded backward onto a track that is meant to be played forward. Backmasking is a deliberate process, whereas a message found through phonetic reversal may be unintentional.
Backmasking was popularized by The Beatles, who used backward vocals and instrumentation on their 1966 album Revolver. Artists have since used backmasking for artistic, comedic, and satiric effect, on both analog and digital recordings. The technique has also been used to censor words or phrases for "clean" releases of songs.
Backmasking has been a controversial topic in the United States since the 1980s, when allegations from Christian groups of its use for Satanic purposes were made against prominent rock musicians, leading to record-burning protests and proposed anti-backmasking legislation by state and federal governments. Whether backmasked messages exist is in debate, as is whether backmasking can be used subliminally to affect listeners. (Wikipedia)

In 1877 Thomas Edison invented the phonograph, a device that allowed sound to be recorded and reproduced on a rotating cylinder with a stylus (or "needle") attached to a diaphragm mounted at the narrow end of a horn. Emile Berliner invented the familiar lateral-cut disc phonograph record in 1888. His design overtook the Edison phonograph in the 1920s, since Berliner's patent expired in 1918, and others were then free to utilize his invention.
In addition to recreating recorded sounds by placing the stylus on the cylinder or disc and rotating it in the same direction as during the recording, one could hear different sounds by rotating the cylinder or disc backwards. In 1878 Edison noted that, when played backwards, "the song is still melodious in many cases, and some of the strains are sweet and novel, but altogether different from the song reproduced in the right way". The backwards playing of records was advised as training for magicians by occultist Aleister Crowley, who suggested in his 1913 book Magick (Book 4) that an adept "train himself to think backwards by external means", one of which was to "listen to phonograph records, reversed."


Tape recorders allowed backward recording in recording studios.
The 1950s saw the development of musique concrète, an avant-garde form of electronic music which involves editing together fragments of natural and industrial sounds, and the concurrent spread of the use of tape recorders in recording studios. These two trends led to tape music compositions, composed on tape using techniques including reverse tape effects.
The Beatles, who incorporated the techniques of concrète into their recordings, were responsible for popularizing the concept of backmasking. Singer John Lennon and producer George Martin both claim they discovered the backward recording technique during the recording of 1966's Revolver; specifically the album tracks "Tomorrow Never Knows" and "I'm Only Sleeping," and the single "Rain". Lennon stated that, while under the influence of marijuana, he accidentally played the tapes for "Rain" in reverse, and enjoyed the sound. The following day he shared the results with the other Beatles, and the effect was used first in the guitar solo for "Tomorrow Never Knows", and later in the coda of "Rain". According to Martin, the band had been experimenting with changing the speeds of and reversing the "Tomorrow Never Knows" tapes, and Martin got the idea of reversing Lennon's vocals and guitar, which he did with a clip from "Rain". Lennon then liked the effect and kept it. Regardless, "Rain" was the first song to feature a backmasked message: "Sunshine … Rain … When the rain comes, they run and hide their heads"; the last line is the reversed first verse of the song). (Wikipedia)

Although the Satanic backmasking controversy involved mainly classic rock songs whose authors denied any intent to promote Satanism, backmasking has been used by heavy metal bands to deliberately insert messages in their lyrics or imagery. Bands have utilized Satanic imagery for commercial reasons. For example, thrash metal band Slayer included at the start of the band's 1985 album Hell Awaits a deep backmasked voice chanting "Join Us" over and over. However, Slayer vocalist Tom Araya states that the band's use of Satanic imagery was "solely for effect". Cradle of Filth, another band that has employed Satanic imagery, released a song entitled "Dinner at Deviant's Palace", consisting almost entirely of ambient sounds and a reversed reading of the Lord's Prayer (a backwards reading of the Lord's Prayer is reportedly a major part of the Black Mass) (Wikipedia)

Backmasking is often used for aesthetics, i.e., to enhance the meaning or sound of a track. During the Judas Priest subliminal message trial, lead singer Rob Halford admitted to recording the words "In the dead of the night, love bites" backwards into the track "Love Bites", from the 1984 album Defenders of the Faith. Asked why he recorded the message, Halford stated that "When you're composing songs, you're always looking for new ideas, new sounds."[ Stanley Kubrick used "Masked Ball", an adaptation by Jocelyn Pook of her earlier work "Backwards Priests" (from the album Flood) featuring reversed Romanian chanting, as the background music for the masquerade ball scene in Eyes Wide Shut.
One backmasking technique is to reverse an earlier part of a song. Missy Elliott used this technique in one of her songs, "Work It", as did Jay Chou ("You Can Hear", from Ye Hui Mei), At the Drive-In ("300 MHz", from Vaya), and Lacuna Coil ("Self Deception", from Comalies). A related technique is to reverse an entire instrumental track. John Lennon originally wanted to do so with "Rain", but objections by producer George Martin and bandmate Paul McCartney cut the backward section to 30 seconds. The Stone Roses have made heavy use of this technique in songs including "Don't Stop", "Guernica", and "Simone", which are all backwards versions of other Stone Roses tracks, sometimes overdubbed with new vocals. Meanwhile, Klaatu used the reversed vocals from "Anus of Uranus" (from their first album, 3:47 EST) as the vocals for the song "Silly Boys" (on their third album, Sir Army Suit). The lyrics for "Silly Boys" on the lyric sheet from Sir Army Suit are accordingly printed backwards. And Danish band Mew's 2009 album No More Stories... contains a track, "New Terrain", which, when listened to in reverse, reveals a new song, entitled "Nervous".
Artists often use backmasking of sounds or instrumental audio to produce interesting sound effects. One such sound effect is the reverse echo. When done on tape, such use of backmasking is known as reverse tape effects. One example is Matthew Sweet's 1999 album In Reverse, which includes reversed guitar parts which were played directly onto a tape running in reverse.[54] For live concerts, the guitar parts were played live on stage using a backward emulator

A common use of backmasking is hiding a comedic or parodical message backwards in a song. The B-side of the 1966 Napoleon XIV single "They're Coming to Take Me Away Ha-Haaa!" is a reversed version of the entire forwards record, entitled "!aaaH-aH ,yawA eM ekaT oT gnimoC er'yehT". It reached #3 in the US charts, and #4 in the UK.
Pink Floyd dropped a backmasked message into "Empty Spaces", from 1979's The Wall:

-... Congratulations. You have just discovered the secret message. Please send your answer to Old Pink, care of the Funny Farm, Chalfont...
-Roger! Carolyne's on the phone!
-Okay.

The first line may refer to former lead singer Syd Barrett, who is thought to have suffered a nervous breakdown years earlier.
In "Weird Al" Yankovic's "Nature Trail to Hell", from 1984's "Weird Al" Yankovic in 3-D, Yankovic's backmasked voice declares that "Satan eats Cheez Whiz". Another early example can be found on the J. Geils Band track "No Anchovies, Please", from 1980s album Love Stinks. The message, disguised as a foreign-sounding language spoken under the narration, is, "It doesn't take a genius to tell the difference between chicken shit and chicken salad." Tenacious D include the backmasked message "Donkey Crap" at the end of "Karate" from their self-titled first album.


Styx, after being accused of Satanic backmasking, included an actual backmasked message in Kilroy Was Here: "Annuit Cœptis, Novus Ordo Seclorum".
Electric Light Orchestra and Styx, following their involvement in the 1980s backmasking controversy, released songs that parody the allegations made against them. ELO, after being accused of Satanic backmasking on their 1974 album Eldorado, included backmasked messages in two songs on their next album, 1975's Face The Music. "Down Home Town" begins with a voice twice repeating (in reverse) "Pass the mighty waterfall". And the opening instrumental "Fire On High" contains the backmasked message "The music is reversible, but time is not. Turn back! Turn back! Turn back! Turn back!" (listen (info)). In 1983 ELO released an entire album, Secret Messages, in response to the controversy. Among the many backmasked messages on the album are: "Welcome to the big show" (2x); "Thank you for listening"; "Look out there's danger ahead"; "Hup two three four"; "Time After Time"; and "You're playing me backwards". Styx also released an album in response to allegations of Satanic backmasking:[63] 1983's Kilroy Was Here, which deals with an allegorical group called the "Majority for Musical Morality" that outlaws rock music. A sticker on the album cover contains the message, "By order of the Majority for Musical Morality, this album contains secret backward messages", and the song "Heavy Metal Poisoning" does in fact contain the backmasked Latin words "Annuit Cœptis, Novus Ordo Seclorum" ("God has favored our undertakings; a new order for the ages")—part of the Great Seal which encircles the pyramid on the back of the American dollar bill.
Iron Maiden's 1983 album Piece of Mind features a short backwards message, included by the band in response to allegations of Satanism that were surrounding them at the time. Between the songs "The Trooper" and "Still Life" is inebriated drummer Nicko McBrain doing an impression of Idi Amin Dada: "'What ho', sed de t'ing wid de t'ree bonce [said the thing with the three heads]. Don't meddle wid t'ings you don't understand," followed by a belch.[65] Prince's controversial song "Darling Nikki" includes the backmasked message, "Hello, how are you? I am fine, because I know that the Lord is coming soon."
Some messages chastise or poke fun at the listener who is playing the song backwards. One such message was included by "Weird Al" Yankovic in "I Remember Larry", from the 1996 album Bad Hair Day, on which Yankovic lightly chastises the listener with the backmasked remark, "Wow, you must have an awful lot of free time on your hands". Similarly, the B-52's song "Detour Through your Mind", from the 1986 LP Bouncing off the Satellites, contains the message, "I buried my parakeet in the backyard. Oh no, you're playing the record backwards. Watch out, you might ruin your needle."[68] Meanwhile, Christian rock group Petra included in their song "Judas Kiss", from the 1982 album More Power To Ya, the message, "What are you looking for the devil for, when you ought to be looking for the Lord?" The band Mindless Self Indulgence released a song titled "Backmask", which contains the forward lyrics "Play that record backwards / Here's a message yo for the suckas / Play that record backwards / And go fuck yourself". The backwards messages in the song include, "clean your room", "do your homework", "don't stay out too late", and "eat your vegetables"

For a list of backmasked messages:










posted by:
zuluwashere

MARILYN MANSON - ANTICHRIST SUPERSTAR

Marilyn Manson - Antichrist Superstar
Released: October 8, 1996
Genre: Industrial Metal/Shock Rock

Track List:
  1. Irresposible Hate Anthem
  2. The Beautiful People
  3. Dried Up, Tied and Dead to the World
  4. Tourniquet
  5. Little Horn
  6. Cryptorchid
  7. Deformography
  8. Wormboy
  9. Mr. Superstar
  10. Angel with the Scabbed Wings
  11. Kinderfield
  12. Antichrist Superstar
  13. 1996
  14. Minute of Decay
  15. The Reflecting God
  16. Man that You Fear
  17. (Hidden Track)
ito pinapakinggan ko kung sakaling dinedemonyo ang utak ko... hehehe... evil talaga yung tunog, kala mo si Manson na ang demonyo... pero in airness, ok rin yung mga kanta nya...

Rating: 9/10



Download:
enjoy!
if you liked it, please BUY the original!

posted by:
zuluwashere

GUITAR HEROES: RANDY RHOADS


Randall William "Randy" Rhoads (December 6, 1956 – March 19, 1982) was an American heavy metal guitarist who played with Ozzy Osbourne and Quiet Riot. Despite his short career, he is cited as an influence by many contemporary heavy metal guitarists. A devoted student of classical guitar, Rhoads often combined his classical music influences with his own heavy metal style. While on tour with Ozzy Osbourne, he would often seek out classical guitar tutors for lessons.

Rhoads was born on December 6, 1956 at St. John's Hospital in Santa Monica, California. He was the youngest of three children. His older brother, Doug, who goes by the name of Kelle Rhoads, is a drummer and vocalist who also arranges classical compositions. His sister's name is Kathy.
When Randy was 17 months old, his father, William Arthur Rhoads, left his mother, Delores Rhoads and the three kids, but he stayed in touch with Randy even up until his son's death. Mrs. Rhoads has owned and operated the Musonia School of Music in North Hollywood, California since 1949. Rhoads started playing guitar at age six on his grandfather's old Gibson "Army-Navy" classical acoustic guitar. According to Rhoads' mother, he learned to play folk guitar, which was a popular way to learn guitar at the time, although he did not take lessons for very long. Rhoads was always evolving toward a hard rock/metal lead guitar style, but he was heavily influenced by classical music as well. This can be heard on Ozzy Osbourne tracks like "Dee" (an instrumental he named for his mother Delores), "Mr. Crowley", "Diary of a Madman", "You Can't Kill Rock And Roll", "Crazy Train" and "Revelation (Mother Earth)".

Guitars:
1974 Cream Gibson Les Paul Custom
1957 Black Gibson Les Paul Custom
Karl Sandoval Polka Dot Flying V
White Jackson Randy Rhoads w. black pinstripes (called the "Concord" and was a prototype at the time)
Black Jackson Randy Rhoads
Guild 12 string acoustic
Mid 60s Fender Stratocaster
Gibson Firebird 12 string electric guitar
Martin 6&12 string acoustics
Gibson 12 string acoustic

Effects:
Vox Wah pedal
MXRDistortion + Script
MXR 10 band equalizer
MXR Stereo flanger
MXR Stereo chorus
Maestro Phase Shifter
Maestro Echoplex
Roland FV-100H Volume Pedal
Roland Space Echo

Amplifiers:
Marshall vintage Super Lead Plexi 100w amp heads (2)
Marshall 4x12 White cabinets with Altec Lansing speakers (2)
Marshall 4x12 Black cabinets with Altec Lansing speakers (2)
Marshall Plexi MKII Super Lead 100 watt amp (modded with cascade mod)
Ampeg 4x12 cabinet with Altec Lansing speakers
Peavey standard 130 watt amp
Fender Harvard 1x12 amp




TUTORIALS:


Download: (all links)
http://rapidshare.com/files/218717047/LLRRTS.part01.rar
http://rapidshare.com/files/218716740/LLRRTS.part02.rar
http://rapidshare.com/files/218716700/LLRRTS.part03.rar
http://rapidshare.com/files/218716876/LLRRTS.part04.rar
http://rapidshare.com/files/218716307/LLRRTS.part05.rar
http://rapidshare.com/files/218717002/LLRRTS.part06.rar
http://rapidshare.com/files/218716975/LLRRTS.part07.rar
http://rapidshare.com/files/218716673/LLRRTS.part08.rar
http://rapidshare.com/files/218717017/LLRRTS.part09.rar
http://rapidshare.com/files/218716845/LLRRTS.part10.rar
http://rapidshare.com/files/218716982/LLRRTS.part11.rar
http://rapidshare.com/files/218716913/LLRRTS.part12.rar
http://rapidshare.com/files/218716893/LLRRTS.part13.rar
http://rapidshare.com/files/218716880/LLRRTS.part14.rar
http://rapidshare.com/files/218716649/LLRRTS.part15.rar
http://rapidshare.com/files/218716886/LLRRTS.part16.rar
http://rapidshare.com/files/218716838/LLRRTS.part17.rar
http://rapidshare.com/files/218716707/LLRRTS.part18.rar
http://rapidshare.com/files/218716354/LLRRTS.part19.rar
http://rapidshare.com/files/218716998/LLRRTS.part20.rar
http://rapidshare.com/files/218716953/LLRRTS.part21.rar
http://rapidshare.com/files/218716774/LLRRTS.part22.rar
http://rapidshare.com/files/218716702/LLRRTS.part23.rar
http://rapidshare.com/files/218716769/LLRRTS.part24.rar
http://rapidshare.com/files/218716987/LLRRTS.part25.rar
http://rapidshare.com/files/218717009/LLRRTS.part26.rar
http://rapidshare.com/files/218716919/LLRRTS.part27.rar
http://rapidshare.com/files/218716773/LLRRTS.part28.rar
http://rapidshare.com/files/218717051/LLRRTS.part29.rar
http://rapidshare.com/files/218716991/LLRRTS.part30.rar
http://rapidshare.com/files/218720744/LLRRTS.part31.rar
http://rapidshare.com/files/218720748/LLRRTS.part32.rar
http://rapidshare.com/files/218720811/LLRRTS.part33.rar
http://rapidshare.com/files/218720691/LLRRTS.part34.rar
http://rapidshare.com/files/218720743/LLRRTS.part35.rar
http://rapidshare.com/files/218720741/LLRRTS.part36.rar
http://rapidshare.com/files/218720803/LLRRTS.part37.rar
http://rapidshare.com/files/218720783/LLRRTS.part38.rar
http://rapidshare.com/files/218720818/LLRRTS.part39.rar
http://rapidshare.com/files/218720821/LLRRTS.part40.rar
http://rapidshare.com/files/218720682/LLRRTS.part41.rar
http://rapidshare.com/files/218720736/LLRRTS.part42.rar
http://rapidshare.com/files/218720746/LLRRTS.part43.rar


enjoy!
if you liked it, please BUY the original!


posted by:
zuluwashere

Saturday, November 7, 2009

THE GREAT PANSIT CRITIC: JAYWIN'S PANCITERIA


Location: Burgos St. Harap ng bodega ng Philippine lumber
Prices: 35php to 50php
Type of Pansiteria: Pang Hardcore

Plus points:
  • may student meal (30php)
  • may tindahan sa loob
  • may benta sila na gin
  • may radyo sa loob (enjoy mo makinig ng drama habang kumakain)
  • may salamin sa loob (pwede mo makita kung gaano ka kapogi o kaganda kumain ng pansit)
  • vulcanic

Minus points:
  • limited sibuyas
  • masikip
  • walang tissue
  • meron yung namamalimos na pabalik-balik
Testimonials:

"Uhmmmm.... Okay rin... Mag-isa lang ako pumunta rito para tikman ang pansit nila..."
-Zuluwashere



posted by:
zuluwashere

Friday, November 6, 2009

A YEAR IN THE RAW

NAYON TENOR PRODUCTION in coop with DEMOLAY
presents

shirt
NOV 14, 2009 6PM
VILLA VICTORIA HOTEL
ENTRANCE: 50PHP (1 BEER)

LINE UP:

11TH HEAVEN
6 CUBE
89TH GRADE
ASHES
DIE ROMANTIC
EBA K
GORIO DAKILA
HER FEARFUL SYMMETRY
LET HER LIE
MURDER OF CROWS
PINKSTAIN
PRIORITY 1
RED ROBOTS
SCARS OF MORAINE
SEMIAZAS
STRENGTH THROUGH DEFIANCE
X-EFFECT SYNDROME

Event shirt: for order: text DIGZ 09205780955
Halftone (Cross Shape)/Rubberized


for more info:

GO NORTH AND MULTIPLY

Thursday, November 5, 2009

THE GREAT PANSIT CRITIC: TUDDAO'S (CARIG)


Location: Carig
Prices: 40php to 50php
Type of Pansiteria: Pang Semi-date

Plus points:
  • malinis
  • friendly ang mga nagseserve
  • may chili powder
  • may aso na nakakulong sa loob (para maging safe ka sa mga nangaagaw ng pansit)
  • unlimited sibuyas

Minus Points:
  • malayo
  • nakakatakot yung fluorescent light nila baka mabagsakan ka
  • ndi pwede mag xat
Testimonials:

"Semi-Cagaban, semi-Batil... masarap..."
-PO2 Ian Paul Valeros

picture by: Alainkills and RJ

posted by:
zuluwashere

MOVIES: WALK HARD: THE DEWEY COX STORY

WALK HARD: THE DEWEY COX STORY
Released: December 21, 2007 (Columbia)
Directed by: Jake Kasdan
Starring:
John Reilly, Jenna Fischer, Raymond Barry

The up-and-down-and-up-again story of musician Dewey Cox, whose songs would change a nation. On his rock 'n roll spiral, Cox sleeps with 411 women, marries three times, has 22 kids and 14 step-kids, stars in his own 70s TV show, collects friends ranging from Elvis to the Beatles to a chimp, and gets addicted to - and then kicks - every drug known to man; but despite it all, Cox grows into a national icon and eventually earns the love of a good woman - longtime backup singer Darlene. (from IMDb)

Download: (all links)
http://rapidshare.com/files/101473054/dmd-walkhard.part1.rar
http://rapidshare.com/files/101473152/dmd-walkhard.part2.rar
http://rapidshare.com/files/101473290/dmd-walkhard.part3.rar
http://rapidshare.com/files/101473422/dmd-walkhard.part4.rar
http://rapidshare.com/files/101473571/dmd-walkhard.part5.rar
http://rapidshare.com/files/101473672/dmd-walkhard.part6.rar
http://rapidshare.com/files/101473798/dmd-walkhard.part7.rar
http://rapidshare.com/files/101473826/dmd-walkhard.part8.rar

Soundtrack track list:
  1. Walk Hard - John C. Reilly
  2. Take My Hand - John C. Reilly
  3. Mama, You got to Love your Negro Man - John C. Reilly
  4. Life Without You (Is not Life At All) - John C. Reilly
  5. Let's Duet - John C. Reilly
  6. Darling - John C. Reilly
  7. I Hate You (Big Daddy) - John C. Reilly
  8. Guilty As Charged - John C. Reilly
  9. Dear Mr. President - John C. Reilly
  10. Let Me Hold You (Little Man) - John C. Reilly
  11. Royal Jelly - John C. Reilly
  12. Black Sheep - John C. Reilly
  13. Starman - John C. Reilly
  14. Beautiful Ride - John C. Reilly
  15. (Have you heard the news) Dewey Cox is Dead - John C. Reilly
Download:
http://www.megaupload.com/?d=6LTYSM8Y

enjoy!
if you liked it, please BUY the original!

posted by:
zuluwashere

METALLICA - ST

Metallica - ST
Released: August 13, 1991 (Elektra)
Genre: Heavy Metal/Thrash Metal

Track list:
  1. Enter Sandman
  2. Sad But True
  3. Holier Than Thou
  4. The Unforgiven
  5. Wherever I may Roam
  6. Don't Tread On Me
  7. Through the Never
  8. Nothing Else Matters
  9. Of Wolf and Man
  10. The God That Failed
  11. My Friend of Misery
  12. The Struggle Within
Wala akong masabi sa album na ito. Legendary...

Rating: 10/10



Download:

enjoy!
if you liked it, please BUY the original!

posted by:
zuluwashere

Wednesday, November 4, 2009

LETTER KO SA PLDT CUSTOMER CARE SERVICE

Dear Sir/Madam

Nakakaintindi naman po siguro kayo ng tagalog noh? Ganito po kasi yun, may tumawag sa amin, from PLDT daw, at ang sabi eh mag e-end na yung contract sa DSL namin, ibig po bang sabihin nun e macucut na yung internet namin? Gusto po namin yung internet service nyo kaso nga lang ang gusto namin ay yung usual na service na nakukuha namin na galing sa inyo... We do not want any changes on our account hangga't sinabi namin... Ako kasi ang nakausap nung tumawag at hindi yung account holder mismo, sabi kasi may ipapadala daw na email at iprint namin tapos pirmahan then ibalik po sa inyo... Yup may nareceive nga akong letter from: *******@pldt.com.ph . Please do reply for clarifications... Eto po landline number namin: (*** *** ****) kung maaari e magreply na lang po kayo sa email na ito (************@rock.com) kasi kung tatawag po kayo during weekdays e wala po kami... No offense po dun sa agent na tumawag di ko kasi masyadong naintindihan yung sabi... busy din kasi ako nung time na yun...

yun lang po...
May the god of Rock be with you!!! \m/


peace, love and rock and roll,
(ZULUWASHERE)

DROWNING POOL - SINNER

Drowning Pool - Sinner
Released: June 5, 2001 (Wind-up)
Genre: Alternative Metal

Track list:
  1. Sinner
  2. Bodies
  3. Tear Away
  4. All Over Me
  5. Reminded
  6. Pity
  7. Mute
  8. I Am
  9. Follow
  10. Told You So
  11. Sermon
Una kong napakinggan ang Drowning Pool sa Ozzfest compilation cd. Nagustuhan ko kaagad ang kanta nilang "Bodies". Heavy na ito para sa panahon na yun saka masarap pang i-slam. Naghanap kaagad ako ng kopya ng album nila noon at eto na nga, yung "Sinner". Madami pa pala silang magagandang kanta tulad ng "Tear Away", "Sermon" at "Sinner".

Rating: 9/10




enjoy!
if you liked it, please BUY the original!

posted by:
zuluwashere

GUITAR HEROES: ZAKK WYLDE

Zakk Wylde (born Jeffrey Phillip Wielandt; January 14, 1967 in Bayonne, New Jersey) is an American musician, who is best known for his roles as a guitarist for Ozzy Osbourne and founder of heavy metal band Black Label Society. He was the lead guitarist and vocalist in Pride & Glory, who released one self-titled album in 1994 before disbanding. As a solo artist he released Book of Shadows in 1996.

Wylde started playing the guitar at the age of 14 and worked at Silverton Music in Silverton, New Jersey. He grew up in Jackson, New Jersey, and went to Jackson Memorial High School, where he graduated in 1985.[1] Wylde has stated that he would practice playing the guitar as much as 12 hours per day and often would play the guitar almost non-stop between coming home from school and leaving for school the next morning, then sleeping through the school day.
Growing up, Wylde played locally with his first band, "Stone Henge", then later with local Jersey band Zyris. Years later, the then unknown 19 year-old Wylde landed the coveted role as lead guitarist and co-writer for Ozzy Osbourne. He sent Ozzy a demo tape in 1987 and was hired to replace Jake E. Lee. Jake E. Lee had replaced the deceased Randy Rhoads, Ozzy's principal guitarist in the post-Black Sabbath period, beginning in late 1979. Wylde has stated that he has no respect for musicians who release material "not true to themselves". The late Randy Rhoads, a rock original, remains Wylde's foremost guitar-playing and stagecraft influence.

He is known for his use of Gibson Les Paul Custom model guitars with a "bulls-eye" graphic on them, a design he used to deliberately differentiate himself visually from Randy Rhoads - who was also frequently identified by his white Les Paul Custom. Interestingly, one of Wylde's favorite stage guitars of late is a replica of Rhoads' Flying V. The "bulls-eye" paint job was originally supposed to look like the spiral from the movie Vertigo, but when it came back incorrect from the luthier, he liked the result and stuck with it.
Wylde's signature Les Pauls include a red flame-maple bulls-eye model, a black and antique-white bulls-eye model, an orange "buzz-saw" model, the pattern on which was inspired by a design on a Zippo lighter , and a "camo" bulls-eye model with mother of pearl neck inlays and a green camouflage paint scheme. His original bulls-eye Les Paul was purchased from one of the owners of Metaltronics Amplification. Metaltronics was building a one-off live rig for Wylde that was designed around one of the owner's guitars, a creamy white Les Paul Custom with EMG pickups, which would later become known as "The Grail". (from Wikipedia)



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posted by:
zuluwashere

Tuesday, November 3, 2009

GUITAR HEROES: JOE SATRIANI

Joseph "Satch" Satriani (born July 15, 1956 in Westbury, New York) is an American multi-instrumentalist, known as an instrumental rock guitarist, who has been nominated for Grammy Awards. Early in his career, Satriani worked as a guitar instructor, and some of his former students have achieved fame with their guitar skills (Steve Vai, Kirk Hammett). Satriani has been a driving force behind other musicians throughout his career, as a founder of the ever-changing touring trio, G3, as well as performing in temporary positions with other musicians.

In 1988, Satriani was recruited by the The Rolling Stones' Mick Jagger as lead guitarist for the singer's second solo tour. Later, in 1994, Satriani was the lead guitarist for Deep Purple. Satriani worked with a range of guitarists from many musicalgenres, including Steve Vai, John Petrucci, Eric Johnson, Larry LaLonde, Yngwie Malmsteen, Brian May, Patrick Rondat, Andy Timmons, Paul Gilbert, Adrian Legg, and Robert Fripp through the annual G3 Jam Concerts.

He is heavily influenced by blues-rock guitar icons such as Jimi Hendrix, Eric Clapton, Jimmy Page and Jeff Beck, possessing, however, his own easily recognizable style. Since 1988, Satriani has been using his own signature guitar, the Ibanez JS Series, which is widely sold in stores. He has a signature series amplifier, the Peavey JSX, and a signature Vox distortion pedal, the Satchurator. He is currently the lead guitarist for the supergroup Chickenfoot.

Satriani is recognized as a technically advanced rock guitarist, and has been described as a virtuoso. by some publications. He has mastered many performance techniques on the instrument, including legato, two-handed tapping and arpeggio tapping, volume swells, harmonics, and extreme whammy bar effects. One of his trademark compositional traits is the use of pitch axis theory, which he applies with a variety of modes.[citation needed] During fast passages, Joe favors a legato technique (achieved primarily through hammer-ons and pull-offs) which yields smooth and flowing runs. He is also adept at other speed-related techniques such as speed picking (a rapid form of alternate picking) and sweep picking, but does not often use them.

Satriani has received 15 Grammy nominations and has sold more than 10 million albums worldwide. Many of his fans and friends call him "Satch," short for "Satriani".

An influential guitarist himself, Satriani has many influences, including jazz guitarists Django Reinhardt, Wes Montgomery, Allan Holdsworth and Charlie Christian, and rock guitarists Jimi Hendrix[24] and Ritchie Blackmore.

Satriani has endorsed Ibanez's JS Series guitars, and Peavey's JSX amplifier. Both lines were designed specifically as signature products for Satriani. The Ibanez JS100 was based on and replaced the Ibanez 540 Radius model which Satriani first endorsed. However, Satriani uses a variety of gear. Many of his guitars are made by Ibanez, including the JS1000, and JS1200. These guitars typically feature the DiMarzio PAF Pro (which he used up until 1993 in both the neck and bridge positions), the DiMarzio Fred (which he used in the bridge position from 1993 to 2005), and the Mo' Joe and the Paf Joe (which he uses in the bridge and neck positions, respectively, from 2005 to present day). The JS line of guitars is his signature line, and they feature the Edge Pro, which is Ibanez's exclusive vibrato system, although he's always used the Original Edge unit on his guitars. The guitar with which he was most often associated during the nineties was a chrome-finished guitar nicknamed "Chrome Boy" (this instrument can be seen on the Live in San Francisco DVD). However, the guitar used for most of the concert was in fact a lookalike nicknamed "Pearly", which featured Seymour Duncan Pearly Gates pickups.

Satriani uses a number of other JS models such as the JS double neck model, JS700 (primary axe on the self-titled CD and seen on the 1995 tour "Joe Satriani", which features a fixed bridge, P-90 pickups, and a matching mahogany body and neck), JS6/JS6000 (natural body) , JS1 (the original JS model), JS2000 (fixed bridge model), a variety of JS100s, JS1000s and JS1200s with custom paint work, and a large amount of prototype JSs. All double locking bridges have been the original Edge tremolo, not the newer models, which point to a more custom guitar than the "off the shelf" models. Joe played a red 7-string JS model, seen in the "G3 Live in Tokyo" DVD from 2005.He also has a prototype 24-fret version of the JS which he has used with Chickenfoot.

Satriani has used a wide variety of guitar amps over the years, using Marshall Amplification for his main amplifier (notably the limited edition blue coloured 6100 LM model) up until 2001, and his Peavey signature series amps, the Peavey JSX, thereafter. The JSX began life as a prototype Peavey XXX and developed into the Joe Satriani signature Peavey model, now available for purchase in retail stores. Joe Satriani has used other amplifiers over the years in the studio, however. Those include the Peavey 5150 (used to record the song 'Crystal Planet'), Cornford, and the Mesa/Boogie Mark IIC+ (used to record the song 'Flying in a Blue Dream'), amongst others.

His effects pedals include the Vox wah, Dunlop Cry Baby wah, RMC Wizard Wah, Digitech Whammy, BK Butler Tube Driver, BOSS DS-1, BOSS CH-1, BOSS CE-2, BOSS DD-2 and a standard BOSS DD-3 (used together to emulate reverb effects), BOSS BF-3, BOSS OC-2, Barber Burn Drive Unit, Fulltone Deja Vibe, Fulltone Ultimate Octave, and Electro-Harmonix POG (Polyphonic Octave Generator), the latter being featured prominently on the title cut to his 2006 Super Colossal.

Satriani has partnered with Planet Waves to create a signature line of guitar picks and guitar straps featuring his sketch art.

Although Satriani endorses the JSX, he has used many amps in the studio when recording, including the Peavey Classic. He used Marshall heads and cabinets, including live, prior to his Peavey endorsement. Most recently Satriani used the JSX head through a Palmer Speaker Simulator. Joe Satriani has also released a Class-A 5-watt tube amp called the "Mini Colossal".

He is currently working with Vox on his own line of signature effects pedals designed to deliver Satriani's trademark tone plus a wide range of new sounds for guitarists of all playing styles and ability levels. The first being a signature distortion pedal titled the "Satchurator", and recently, the "Time Machine" which will be a delay pedal, with more to follow in 2008, including a wah pedal called the "Big Bad Wah". (FROM Wikipedia)



TUTORIALS:

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posted by:
zuluwashere

KURT COBAIN'S SUICIDE NOTE


To Boddah
Speakings from the tongue of an experienced simpleton who obviously would rather be an emasculated, infantile complainee. This note should be pretty easy to understand. All the warnings from the Punk Rock 101 Courses over the years, it's my first introduction to the, shall we say ethics involved with independence and the embracement of your community has been proven to be very true. I haven't felt the excitement of listening to, as well as creating music, along with really writing something for too many years now. I feel guilty beyond words about these things, for example when we're backstage and the lights go out and the manic roar of the crowd begins. It doesn't affect me in the way which it did for Freddie Mercury, whoseemed to love and relish the love and admiration from the crowd, which is something I totally admire and envy. The fact is, I can't fool you, any of you. It simply isn't fair to you, or to me. The worst crime can think of would be to pull people off by faking it, pretending as if I'm having one 100% fun. Sometimes I feel as though I should have a punch-in time clock before I walk out on-stage. I've tried everything within my power to appreciate it, and I do, God believe me, I do, but it's not enough. I appreciate the fact that I, and we, have affected, and entertained a lot of people. I must be one of the narcisists who only appreciate things when they're alone. I'm too sensitive, I need to be slightly numb in order to regain the enthusiasm.But, what's sad is our child. On our last three tours, I've had a much betterappreciation of all the people I've known personally, and as fans of our music. But I still can't get out the frustration, the guilt, and the sympathy I have for everybody. There is good in all of us, and I simply love people too much. So much that it makes me feel too fucking sad. The sad little sensitive unappreciative pisces Jesus man! why don't you just enjoy it? I dont know! I have a of a wide who sweats ambition and empathy, and a daughter who reminds me to much of what I use to be. full of love and joy, every person she meets because everyone is good and will do her no harm. And that terrifies me to the point to where I can barely function. I can't stand the thought of Frances becoming the miserable self destructive, deathrocker she become. I have it good, very good, and I'm grateful, but since the age of seven, I've become hateful towards all humans in general. Only because it seems so easy for people to get along and have empathy. Empathy only because I love and feel for people too much I guess. Thank you from the pit of my burning nauseas stomach for your letters and concern during the last years. I'm too much of a neurotic moody person and I don't have the passion anymore, so remember, it's better to burn out, than to fade away. Peace, love, empathy, Kurt Cobain.

Frances and Courtney, I'll be at your altar. Please keep going Courtney for Frances for her life which will be so much happier without me. I LOVE YOU. I LOVE YOU!






posted by:
zuluwashere

SCARS OF LIFE - WHAT WE REFLECT

Scars of Life - What We Reflect
Released: August 9, 2005 (Rock Ridge)
Genre: Alternative Metal

Track list:
  1. Lemon
  2. Alone Inside
  3. Pool of Fears
  4. Mute
  5. Lost Years
  6. Placebo
  7. Away From Me
  8. Watch Me Drown
  9. Descending
  10. Bullet With Your Name
  11. Water in My Hands
  12. Silent Words
Isa na naman ito sa mga pinageeksperiment ko na music. At yun, tsamba na naman. Nagulat na nga lang ako nung pinapatugtog na rin pala nila mga kanta nila sa UFC. Basta yun, kung trip mo mga music na pinapatalastas sa UFC e pakinggan mo ito.

Rating: 8/10



Download:


enjoy!
if you liked it, please BUY the original!

posted by:
zuluwashere

CONGRATS!!!

CONGRATULATIONS 11TH HEAVEN!!!
for entering the SEMI-FInal ROund of Red Horse MUSIKLABAN!!!

KEEP THE STREAK GOIN'!

More of 11th Heaven can be found here:



Monday, November 2, 2009

GUITAR HEROES: EDDIE VAN HALEN


Edward Lodewijkz "Eddie" Van Halen (born January 25, 1955) is a Dutch-born American guitarist, keyboardist, songwriter and producer, best known as the lead guitarist and co-founder of the hard rock band Van Halen. Van Halen is widely known for his rapid guitar playing, tapping, and high frequency feedback. The All Music Guide has called him "undoubtedly one of the most influential, original, and talented rock guitarists of the 20th century."

Edward Lodewijkz Van Halen is a son of clarinetist/saxophonist father Jan Van Halen and mother Eugenia (née Van Beers). Eugenia Van Halen was originally from Indonesia. Edward's middle name was derived from composer Ludwig van Beethoven. (Lodewijk is the Dutch version of Ludwig.) Edward continued this naming tradition by naming his son Wolfgang Van Halen after composer Wolfgang Amadeus Mozart. Shortly after Edward was born in Amsterdam, the family moved to the city of Nijmegen. In 1962, at the age of seven, Edward moved with his family to the United States, settling in Pasadena, California.
Eddie learned to play the piano as a child and has won many different talent shows. His older brother Alex also played the piano. However, playing the pianos did not prove sufficiently challenging or interesting to him — he once said in an interview, "Who wants to sit in front of the piano? That's boring." Consequently, while Alex began playing the guitar, Eddie bought a drum kit and began practicing drumming along with Arty Gomez in Lincoln Heights.They would practice for hours day after day. After Eddie heard Alex's performance of the The Surfaris' drum solo in the song "Wipe Out", he grew annoyed that his brother had overtaken his ability and decided to switch and begin learning how to play the electric guitar.
He has stated that he would often walk around at home with his guitar strapped on and unplugged, practicing with his childhood friend Reyna Plascencia. It's said[who?] that he would sit in his room for hours with the door locked as a teen, practicing the guitar. He once claimed[weasel words] that he had learned almost all of Eric Clapton's solos in the band Cream "note for note" by age 14; in later interviews he stated he could never play the solos precisely, instead he would modify them slightly to suit his style.

In April 1996, in an interview with Guitar World, when asked about how he went from playing his first open A chord to playing "Eruption", Eddie replied:
Practice. I used to sit on the edge of my bed with a six-pack of Schlitz Malt talls. My brother would go out at 7 p.m. to party and get laid, and when he'd come back at 3 a.m., I would still be sitting in the same place, playing guitar. I did that for years — I still do that.
Eddie has many influences, most notably Eric Clapton. He has also acknowledged the influence of Queen guitarist Brian May, Led Zeppelin guitarist Jimmy Page, and fusion guitarist Allan Holdsworth, as well as the likes of Montrose guitarist Ronnie Montrose.

Eddie Van Halen built his guitar (Black and White) by hand, using an imperfect body and a neck bought from Wayne Charvel's guitar shop. The body and neck were constructed by Lynn Ellsworth of Boogie Bodies guitars, whose parts were being sold by Wayne Charvel at the time. Eddie installed a humbucker in the bridge position essentially creating a Fat Strat. In 1979, Eddie began to play a black, rear loaded Charvel with yellow stripes. This was later replicated by Charvel along with the black and white striped model and the red white and black model (EVH Art Series Guitars). He also used a stock unmodified Ibanez Destroyer on a lot of the tracks on Van Halens first album such as You Really Got Me and Runnin' With the Devil and a modified Ibanez Destroyer on some tracks on Van Halens second album and a borrowed unmodified Ibanez Destroyer on some tracks on the Women and Children First album.
Also, in 1979 Eddie's original guitar was repainted with Frankenstein artwork. Eddie also changed the neck, removed part of the pick guard and eventually installed a Floyd Rose vibrato unit. The guitar is known both as a "Frankenstrat" and as THE "Frankenstrat." Fender reissued the guitar in relic form in 2007, the limited run selling at $25,000 a guitar. However, a "new" (non-reliced) Frankenstrat is currently available through the Charvel company for significantly less, the first time Van Halen has consented to the commercial release of a guitar with his signature graphics on it.
In 1983, Eddie began to use a brand new Kramer guitar with artwork similar to its predecessor and with a hockey-stick or "banana" headstock, which came to be known as the "5150." This guitar was rear-loaded (no pick guard), had a Floyd Rose vibrato unit and a neck that was later electronically mapped in order for it to be copied on the later Music Man and Peavey signature models. This guitar was last used on the track "Judgment Day" on the For Unlawful Carnal Knowledge album. Various versions of it can be seen in the music videos for "Panama", "Hot for Teacher", "When It's Love", "Feels So Good" and the concert video, Live Without a Net. The guitar itself was a variant of a Kramer Pacer, although not a model that was technically available at the time.
It was painted with Krylon paints by Van Halen and used through the OU812 tour, after which it was "retired." However, Eddie did break out the guitar for use on the 2004 reunion tour, although the neck had finally failed and had apparently been replaced. A copy of this guitar is available today (although not with Van Halen's permission) through the current manufacturer of Kramer's, Music Yo, a subsidiary of the Gibson company. However, the commercially available copy doesn't feature the custom graphics, as the "Frankenstein" graphics are trademarked by Edward Van Halen.
Eddie has used a Steinberger GL-2T guitar with Trans-Trem on several songs, including "Get Up" and "Summer Nights" (from 5150), "Fire in the Hole" (from Van Halen III), and "Me Wise Magic" (from Best of Volume I). It was custom painted with the "Frankenstein" graphics.
In the mid 1990s, Ernie Ball produced an EVH signature "Music Man" guitar, and Eddie used this on For Unlawful Carnal Knowledge and Balance albums. This guitar is still commercially available under the "Axis" name, and retains all of the original features of the Edward Van Halen model. Edward was allegedly upset that Ernie Ball could not produce enough of this guitar to meet demand, and subsequently moved his endorsement to the Peavey Electronics corporation.
Eddie named his line of signature Wolfgang Guitars after his son, Wolfgang. The guitar itself was similar to the previous Axis line, but with a slightly altered shape and many additional options available in Peavey's much larger custom shop. These guitars included a device called a "D-Tuna" which enabled a guitarist to tune the low E string down to D with a slight turn of a knob attached to the end of the bridge.
In 2003, at the NAMM show, the relationship between Peavey and Eddie began to strain. Peavey constructed a glass enclosed stage for Eddie in which to play for VIP's at 2 p.m. Eddie arrived late, shocking fans there with his disheveled appearance, as he immediately went upstairs and initially refused to play. After an hour of negotiations, Eddie came down while fans, who had lined up for hours prior to the appearance, roared with approval. Eddie ended up spending his short time on stage, talking about Wolfgang guitar production and his promise to take a keen interest in quality control. Eddie left, having only played a few notes and small riffs, much to the dissatisfaction of the fans and Peavey.[citation needed] The end came in 2004, when Peavey company parted ways with Van Halen, reportedly because Eddie launched an on-line sale of hand patterned (by Edward) Charvel guitars, sold by the name of the "EVH Art Series Guitars", while he was still contractually obligated to Peavey. The guitars sold for large sums on eBay, and were essentially replicas of his famous "Frankenstrat" guitars, played by Van Halen mainly during the David Lee Roth era of the band. Eddie also launched Frankenstein replicas as noted above, which are the only Van Halen guitars currently endorsed by Eddie.
Most recently Eddie has collaborated with Fender guitars to produce a replica of the Frankenstrat. Eddie and Chip Ellis of the Fender Custom Shop teamed up to produce a guitar priced at $25,000 each. Also, Eddie has collaborated with Fender to launch his own EVH brand of guitars, amps, and musical instrument equipment, starting with his new EVH Brand 5150 III amplifier. Eddie now uses prototypes of his new EVH Brand Wolfgang, which is an updated version Eddie's Peavey Wolfgangs but with new pickups, knobs, a thinner but very elaborate quilted maple top to allow the basswood the dominant tone, providing more tonal resonance but with a balanced high sustain. Also, the new Wolfgang is equipped with an Original Floyd Rose. In addition, the new guitar has a slightly altered headstock. This is because this was Ed and Hartley Peavey's original design for the headstock, which Eddie had patented without the scoop on final version of the Peavey Wolfgang. He has been seen with three new Wolfgang guitars, first a sunburst one, then a black one which he stated he liked less than the sunburst one and now he uses a white one, the best sounding one out of the three prototypes according to Ed.
The EVH Wolfgang is planned for initial sale to the public in early 2009. (from Wikipedia)



TUTORIALS:


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enjoy!
if you liked it, please buy the original!

posted by:
zuluwashere

SKID ROW - 40 SEASONS: THE BEST OF SKID ROW

Skid Row - 40 Seasons: The Best of Skid Row
Released: NOvember 3, 1998 (Atlantic)
Genre: Rock/Metal

Track list:
  1. Youth Gone Wild
  2. 18 and Life
  3. Piece of Me
  4. I Remember You
  5. Threat
  6. Psycho Love
  7. Monkey Business
  8. Quicksand Jesus
  9. Slave to the Grind
  10. Into Another
  11. Frozen
  12. My Enemy
  13. Broken Down
  14. Beat Yourself Blind
  15. Forever
  16. Fire in the Hole
The best Skid Row album ever! Lahat ng gusto kong hit nila a, andito na. Kung di po napapakinggan ang Skid Row, this is the best album to listen to, kasi parang lahat na ng album nila, cinompress na nila dito.

Rating: 10/10



Download:
http://rapidshare.com/files/222154397/Skid_Row_-_40_Seasons_-_The_Best_Of_Skid_Row.rar

enjoy!
if you liked it, please BUY the original!

posted by:
zuluwashere

PLAGIARISM OR COINCIDENCE?

Plagiarism
- Literary theft. Plagiarism occurs when a writer duplicates another writer's language or ideas and then calls the work his or her own. Copyright laws protect writers' words as their legal property. To avoid the charge of plagiarism, writers take care to credit those from whom they borrow and quote. (Dictionary.com)

-the act of taking the writings of another person and passing them off as one's own. The fraudulence is closely related to forgery and piracy-practices generally in violation of copyright laws. (Dictionary.com)

-What people who either can't write or are too lazy do whenever a paper is due. Any usage of someone else's writing as one's own is plagiarism, no matter how cleverly disguised (or not) it is.

Perhaps the most common way is to search for or download existing papers, cut and paste, change the wording superficially and scramble it a little, and turn it in as your own. Other common methods are to simply copy other students' work in one's class, changing it superficially, or to download or even buy papers online.

Any way you do it, it's a reprehensible practice that can, and should get you in big trouble. There are known cases where students have been held back a year, or even expelled. Unfortunately, plagiarism still seems to be a growing problem, and students usually get away with it. (Urbandictionary.com)

-stealing somebody's work or idea: the process of copying another person's idea or written work and claiming it as original (MSN Encarta)

-as defined in the 1995 Random House Compact Unabridged Dictionary, is the "use or close imitation of the language and thoughts of another author and the representation of them as one's own original work."[1] Within academia, plagiarism by students, professors, or researchers is considered academic dishonesty or academic fraud and offenders are subject to academic censure, up to and including expulsion. In journalism, plagiarism is considered a breach of journalistic ethics, and reporters caught plagiarizing typically face disciplinary measures ranging from suspension to termination. Some individuals caught plagiarizing in academic or journalistic contexts claim that they plagiarized unintentionally, by failing to include quotations or give the appropriate citation. While plagiarism in scholarship and journalism has a centuries-old history, the development of the Internet, where articles appear as electronic text, has made the physical act of copying the work of others much easier.
Plagiarism is not the same as copyright infringement. While both terms may apply to a particular act, they are different transgressions. Copyright infringement is a violation of the rights of a copyright holder, when material protected by copyright is used without consent. On the other hand, plagiarism is concerned with the unearned increment to the plagiarizing author's reputation that is achieved through false claims of authorship. (Wikipedia)

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VIDEOS UPLOADED BY ADRIANMER666


Coincidence
- is the noteworthy alignment of two or more events or circumstances without obvious causal connection. The word is derived from the Latin co- ("in", "with", "together") and incidere ("to fall on"). In science, the term is generally used in a more literal translation, e.g., referring to when two rays of light strike a surface at the same point at the same time. In this usage of coincidence, there is no implication that the alignment of events is surprising, noteworthy or non-causal.
A coincidence does not prove a relationship, but related events may be expected to have a higher index of coincidence. Probability is the basic tool, or method, to rationally evaluate coincidences. In the field of mathematics, the index of coincidence can be used to analyze whether two events are related. From a statistical perspective, coincidences are inevitable and often less remarkable than they may appear intuitively. An example is the birthday problem, where the probability of two individuals sharing a birthday already exceeds 50% with a group of only 23 (Wikipedia)

-a striking occurrence of two or more events at one time apparently by mere chance (Dictionary.com)

-an accident of coins (Urbandictionary.com)



posted by:
zuluwashere

Sunday, November 1, 2009

THE GREAT PANSIT CRITIC: NO NAME PANSITERIA

Location: Bonifacio St. malapit sa dunkin donuts
Prices: 40 php to 50php
Type of Pansiteria: Pang midnight special

Plus points:
  • friendly yung nagluluto
  • makikita mo kung paano sila magluto
  • vulcanic
  • mysterious kasi walang pangalan ang pansiteria nila...
Minus points:
  • limited sibuyas
  • wala kang privacy
  • maraming tao ang dumadaan
  • pop cola lang ang softdrinks nila
  • maingay
  • walang tissue
Testimonials:

"Masarap kaya dun, di nga ako makaimik e..."
-Alain Victor Valeros


posted by:
zuluwashere

BOY HITS CAR - ST

Boy Hits Car - ST
Released: January 9, 2001 (Wind-up)
Genre: Alternative Metal

Track List:
  1. The Rebirth
  2. Lovecore (Welcome to)
  3. As I Watch the Sun Fuck the Ocean
  4. I'm a Cloud
  5. Man Without Skin
  6. A Letter from Prison
  7. Unheard
  8. Going to India
  9. Turning Inward
  10. Benkei
  11. Before We Die
Boy hits car, pinarinig sa akin ito ni Rolf noon. Maganda siya. Isa sa mga banda na dapat sa panahon nila e sumikat sila ng masyado. I mean, gusto ko kasi mga kanta nila, may unique sound kang maririninig. Eto pa, yung vocalist nila, stuntman.Imagine mo ang stuntman par naging wild sa isang concert...

Rating: 9/10



Download:
http://rapidshare.com/files/49619122/Boy.Hits.Car.-.Boy.Hits.Car.2001.rar

enjoy!
if you liked it, please BUY the original!

posted by:
zuluwashere